Why Tuxedo Tracks?

The "Digital Accompaniment" Problem

If you’ve searched for piano tracks on apps or youtube, you know the binary choice: you either get a "perfect" but soul-crushing MIDI track that behaves like a robot, or a live human performance with musicality, but recorded on a phone mic that sounds like it’s being played inside a cardboard box. Both have their uses; neither is optimal.

My Solution (10 years in the making)

I have spent decades freelancing in major metro areas and working with university music departments as a collaborative pianist for every instrument and voice type. Somewhere along the way, I got sidetracked with recording and mixing: first as a hobby, then as a session musician and independent artist across a number of genres.

Now, with a private studio setup right at home, I have built what I hope is a valuable resource: one that combines high-level pianistic skill with professional recording ability.

"Piano is a full-spectrum percussion instrument. MIDI can’t replicate its resonance, and a phone mic can’t capture its color."

So, Again - Why Tuxedo Tracks?

Tuxedo Tracks is an outlet for me to keep my chops up and continue contributing to the field. I provide high-fidelity tracks that feel like you’re rehearsing with a live pianist, not just following a computer.

If you turn the volume up, you should hear the low-end rumble as if you’re standing right in the crook of a piano, and the high, shimmery frequencies ringing out to fill the space.

The goal isn’t a timid, metronomic run-through; the goal is a musically useful rehearsal track. That way, when you step into the room with your live pianist, I want you to be beyond the "traffic cop" stuff; the entrances, the cutoffs, where to fit in your catch-breaths, basic musical decisions and ensemble coordination.

I want you ready to make music, and able to finalize your decisions and performance goals efficiently with your colleagues & co-stars.

I get to keep doing what I love. You get to boss me around and receive on-demand piano tracks. Everyone wins 😼

Richard M Blumenthal, collaborative pianist

A cross-genre eccentric, pianist Richard M Blumenthal currently resides in Ohio where the pawpaws grow. Comfortable in any setting that calls for piano, from academia to taprooms, following his graduate studies at University of Georgia (MM Collaborative Piano) Blumenthal has held a wide range of positions as staff pianist, repetiteur, or music director at: Middle Tennessee State University, Louisiana State University, the International Tuba & Euphonium Conference, the Mid-South Flute Festival, Southeast Tuba Euphonium Workshop, Nickel City Opera in Buffalo NY, Manship Theater in Baton Rouge LA, and Town & Gown Players in Athens GA. An advocate of new music, and being entrenched in the wild world of modern saxophone repertoire, has led to performances at NASA saxophone conferences, MTNA state & division competitions, live rounds of the Naumberg Competition in NYC, numerous universities as niche pianist for hire, and touring stints across the southern & midwestern US.

With a wide-ranging interest in genres both popular and niche, Richard is an avid transcriber, arranger, & engraver, skills that make his teaching materials adaptable and fluid. With hundreds of pop, video game, rock, and soundtrack transcriptions & arrangements published and licensed through a Signature Artist contract with the musicnotes.com digital storefront, his library of accessible contemporary repertoire is constantly growing and often guided by requests from students and friends.

While rehearsing, performing, and recording has been the bulk of recent efforts, Richard received his Bachelor of Music Education (BME) in String Education as a violist from SUNY Fredonia, and has maintained an active interest in teaching & curriculum construction. Comfortable teaching the classical repertoire of his own academic upbringing and career path, Blumenthal’s broader skillset has also led to a remote teaching studio of students focusing on composing & arranging for their own bands or other projects, functional keyboard skills, and music theory as a conduit to effective communication with other musicians. Remaining active as a string player for pit orchestras & student composer premieres at each of the university stops along his checkered past, the Middle Tennessee Sinfonietta, touring substitute bassist for Chicago postrock outfit Outrun the Sunlight, and recently for a studio jazz orchestra recital at Michigan State University, Richard is a happy violin/viola doubler with experience as both a group lesson teacher and private individual instructor.

Rounding out Blumenthal’s pursuit of all facets of music making, his interest and development of a home recording studio has led to work as a session musician for diverse genres from lo-fi hip hop to mathrock. As a member of progressive metal band Aviations, recent tours in 2024 have led across the US & Canada in direct support of Finnish progmetal band Wheel, as well as a small number of shows opening for German metallers Unprocessed & Canadian metalcore Red Handed Denial. Blumenthal also has released four albums of modern fusion music over the last decade with drummer James Knoerl under the moniker of ‘blumen’ that have been described as “astonishingly complex and tightly played music” as well as “SO unpleasant to listen to”. The duo recently (finally) made their live debut in 2025, incorporating technology & music as part of the Frequency Friday concert series through Columbus’s own Fuse Factory arts initiative.

When sheltered at home in the woods, Richard enjoys traipsing around the gardens in the company of wife Allison, their indeterminate number of cats, and Clover the three-legged pampered pooch.

Note: Richard does NOT currently have a tuxedo cat and is QUITE embarrassed about that fact. What a phony.

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Just a few of the 9 cats & 1 dog scurrying about the place