{"title":"Home page","description":null,"products":[{"product_id":"as-0002-ebm","title":"Brahms - Sonntag (EbM) - Op. 47 No. 3","description":"\u003ch5 data-path-to-node=\"5\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eA custom streaming practice\/rehearsal piano track for \u003cbr\u003e\"Sonntag\"(EbM), by Brahms, \u003cbr\u003efrom 5 Lieder, Op. 47 No. 3.\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSet to a text by Johann Ludwig Uhland, Brahms composed \"Sonntag\" in 1858. It quickly became one of his most popular vocal works thanks to its undeniable and effortless charm. The song captures the sweet, almost naive longing of a young person who hasn't seen their crush all week and can only catch a glimpse of them outside of Sunday church. It carries the gentle and lilting character of a German folk song, keeping the emotional weight bright, optimistic, and deeply endearing. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e🎹 Thoughts From the Piano Bench: As far as Brahms go this is pretty straightforward, two quick verses and we're out. Make sure that repeated phrases have dynamic contrasts (echo guestures) and that the 2nd verse has a little extra something something to indicate to the audience a sense of finality.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tuxedo Tracks","offers":[{"title":"Default Title","offer_id":53885368664430,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/2726\/1550\/files\/Song_Lit_Thumbnail.png?v=1780752030"},{"product_id":"op-0022-ebm","title":"Weill, Kurt - Street Scene - What Good Would the Moon Be (EbM)","description":"\u003ch5 data-path-to-node=\"5\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eA custom streaming practice\/rehearsal piano track for\u003cbr\u003e\"What Good Would the Moon Be\" \u003cbr\u003efrom \u003cem\u003eStreet Scene\u003c\/em\u003e,  \u003cbr\u003eby Kurt Weill.\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKurt Weill and legendary poet Langston Hughes created a fascinating blend of Broadway jazz and traditional opera with Street Scene in 1947. Rose Maurrant sings this aria to express her longing for a simple and genuine love rather than the flashy lifestyle offered by her sleazy boss. The music perfectly captures her grounded nature, requiring the singer to balance a soaring classical soprano sound with highly realistic acting and storytelling. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e🎹 Thoughts From the Piano Bench: This piece demands a ton of communication between the vocalist and the pianist. Weill wrote incredibly specific rubato moments that require the singer to lead the pacing while the piano provides a lush foundation underneath. Watch out for the tempo changes going into the bridge section, where you will need to cleanly articulate the jazzier rhythms without losing that classical phrasing. Don't let my groove change your style \u0026amp; timbre overmuch!\u003c\/span\u003e\u003c\/p\u003e","brand":"Tuxedo Tracks","offers":[{"title":"Standard Unlock","offer_id":54379724177774,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true},{"title":"Founding Sponsor","offer_id":54379724210542,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/2726\/1550\/files\/Opera_Thumbnail.png?v=1780752030"},{"product_id":"mt-0001-cm","title":"Apple Tree, The - Feelings (CM) - Bock \u0026 Harnick","description":"\u003ch5 data-path-to-node=\"5\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eA custom streaming practice\/rehearsal piano track for \u003cbr\u003e\"Feelings\" \u003cbr\u003efrom \u003cem\u003eThe Apple Tree\u003c\/em\u003e,  \u003cbr\u003eby Bock \u0026amp; Harnick.\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Apple Tree is a unique set of three mini-musicals, and this specific song comes from the first act based on Mark Twain's \"The Diary of Adam and Eve.\" Eve sings this tune as she tries to understand the strange new emotions she is experiencing in the garden. It captures that quintessential Bock \u0026amp; Harnick charm with a balance of humor and discovery (Discovery! Acting™! Making Different Decisions On the Second Verse®!).\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e🎹 Thoughts From the Piano Bench: Once you learn the feel of it and the rhythmic pattern, it's a fairly straightforward song, but you DO have to learn the feel of it 🤷♂️. Also for how short the verses are, most recordings I have heard take a surprising amount of time at the ends, so really go for it and dangle the audience. I show a good chunk of time, but you may want more or less - those are the things to decide so you can show the next pianist you work with!\u003c\/span\u003e\u003c\/p\u003e","brand":"Tuxedo Tracks","offers":[{"title":"Standard Unlock","offer_id":54385258398062,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true},{"title":"Founding Sponsor","offer_id":54385258430830,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/2726\/1550\/files\/Musical_Theater_Thumbnail.png?v=1780752030"},{"product_id":"mt-0023-am","title":"Spring Awakening - Mama Who Bore Me (Am) - Sheik \u0026 Sater","description":"\u003ch5 data-path-to-node=\"5\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eA custom streaming a practice\/rehearsal piano track for \u003cbr\u003e\"Mama Who Bore Me\" \u003cbr\u003efrom \u003cem\u003eSpring Awakening\u003c\/em\u003e, \u003cbr\u003eby Duncan Sheik \u0026amp; Steven Sater.\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDuncan Sheik and Steven Sater flipped the musical theater world upside down in 2006 by pairing an 1891 German play with a driving alt-rock score. \"Mama Who Bore Me\" serves as the opening thesis for the entire show, introducing Wendla's (and her friends') profound confusion and yearning as she grapples with the transition into adulthood. The song relies heavily on a raw acoustic feel that pulls inspiration straight from 90s alternative rock rather than traditional Broadway writing. I've played the piano book and the violin book for this show, funnily enough, and as far as rock musicals go I think it works very effectively. \u003cbr\u003e\u003cbr\u003e🎹 Thoughts From the Bench: The groove here is everything. On piano I'm imitating the fingerpicked guitar so you can let out your plaintive teenage angst over top. It's a short song so we don't need to make a huge meal of it, but it is worth noting that the final version of the main theme on the last page can be a little stronger (in the show you'd have a few more voices join you for volume \u0026amp; intensity, so when singing as a solo you'll have to shoulder that responsibility by yourself).\u003c\/span\u003e\u003c\/p\u003e","brand":"Tuxedo Tracks","offers":[{"title":"Default Title","offer_id":53885373055342,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/2726\/1550\/files\/Opera_Thumbnail.png?v=1780752030"}],"url":"https:\/\/tuxedotracks.com\/collections\/frontpage.oembed","provider":"Tuxedo Tracks","version":"1.0","type":"link"}